Journal of University of Babylon,
Volume 26, Issue 3, Pages 187-215
AbstractThe current research dealt with the impact of psychological and social implications on the contemporary Iraqi drawing. The research included four chapters. The first chapter deals with the methodological framework of the research which represents the problem of research.
1. What are the implications and implications of the psychological and social dimensions in the products of contemporary Iraqi painting?
2. What is the relationship between the psychological and social dimensions inherent in the Iraqi photographer and his artistic output?
3. How do psychological and social dimensions contribute to the detection of artistic and aesthetic aspects in contemporary Iraqi painting?
The research aims to identify the impact of psychological and social implications on contemporary Iraqi painting. The limits of the research were limited to the period (1960-1990) through the paintings obtained from the Fuladrat and the Baghdad Center for the Arts and the Internet and ended the first chapter of the definition of terms The second chapter is represented by the theoretical framework consisting of two sections the first topic psychological and social implications and theories explained to them, It includes the psychological and social features in the Iraqi drawing in addition to the indicators that ended the theoretical framework. The third chapter contains the research procedures including the research community and the research sample of four samples and the research methodology which the researcher adopted descriptive approach Lilly in the analysis of research samples, while the fourth chapter of the findings and conclusions and recommendations, andincluded the results:
1.Demonstration of psycho-social content through expression in real or distorted form, deformity, reduction and geometry, using zoom mechanisms, multiplication, reduction, elongation, shortening, deletion, addition, flattening, and relationship. The psychological dimensions are shown in the samples (1,2,3,4)
2.Psychological and social implications emerged by employing the Iraqi artist for th technical aspect on the photographic surface and achieved in each sample (1,2,3,4) because each artist has his own style. Each individual has a distinct way of feeling and feeling .
3.The contemporary Iraqi painting has a clear effect on the assertion that the psychological aspect of the artist is not separated from the social, cultural and political aspect, represented in the images transferred from the sensory and non-sensory treasures of human and social events .
1.The contemporary Iraqi painter provided an opportunity to learn about the components of his society on the one hand and to reveal the possibilities of his inner worlds on the other. This enabled him to control his conscious and unconscious activities, thereby gaining privacy and uniqueness in visual expression
2.The contemporary Iraqi drawing and painter was able to design and establish the identity of authentic Iraqi art
3.The social and psychological reality helped to nourish the ideas of the modern Iraqi painter, which made him reflect the concerns of himself and his society at all times. In addition to the recommendations and proposals
- Article View: 194
- PDF Download: 177